EXCEPTIONAL ZIN TIME

We aren’t ready to make some sweeping statement about some sort of Zinfandel rennaissence. There are a number of econiomic things working against that. So we’ll just chalk it up to random chance that we have come across a surprising number of really outstanins over the last few weeks. A number of them have a really limited audiences at the $50 and up pricing that seems to baseline for many of the top producers. But we have run across that have given us hope that California’s historic varietal has a future.

Jeff Gaffner has been around the industry a long time ( for you old timers, since he started with Richard Arrowood when he was at Chateau St. Jean). He created his own label, Saxon Brown, pulling name inspiration from the Jack London novel ‘Valley of the Moon’. As the notes reporterd, “Jeff always thought that if he had a daughter, he would name her Saxon Brown after the willful heroine of Jack London’s iconic novel… In 1997, after having two sons, Jeff decided to re-purpose the name he loved for his new wine label.”

We have known Jeff for a while. He is the definition of the ‘independent winemaker’. He has very specific ideas about how things should and the talent to make very stylish wines. He has a number of side gigs as well including Stephanie by Hestan, Black Kite, and Modicum (the in house label for French Laundry).

His style is a bit more ‘old school’ and bold, but the results are usually pretty tasty. Within the context of our recent spate of memorable Zinfandels we were presented this classic, Saxon Brown Zinfandel Fighting Brothers 2018. Named tongue in cheek after his two sons, this is what the varietal can be. It’s mouthfilling with a broad presentation of brambly, dark berry fruit, spice, and a healthy but well mesh dose of sweet wood notes. ‘Big Zin’ but balanced, pure and very expressive. In other words, a Zin lover’s Zin without the rough edges.

The Wine Spectator review does it justice, “Supple and jammy, with rich and multilayered berry cobbler and toasty spice flavors that expand and flesh out on the zesty finish. Drink now through 2029…93 Points.”

The price on that Wine Spectator review was $48, an acceptable tab in the current marketplace given the performance. We’d have bought a little at that price but, $29.98, we were a lot more interested. Delicious, classic Zin.

DELICIOUS ‘AMERICAN’ ZIN FROM ABROAD

It all started with an idea.  The Perucci family was one of the dominant players in the region, producing large quantities of commercial wine. Costantino Perrucci was one of the most famous wine entrepreneurs of Puglia in the 1970s and 80s. But Gregory Perucci had other ideas.  He wanted to prove that fine wine could be made out of the native varieties of the area.  To that end, in 1996, he founded Accademia dei Racemi whose purpose was to give impetus to the research and revival of numerous indigenous grapes.

He and his young, enthusiastic staff worked tirelessly to research and improve vinification techniques and raise the wine bar for an area known as a place for hearty, cheap reds.  He was credited with the elevation of Malvasia Nera, Fiano Minutolo, and Ottavianello as well as bringing back Sussumaniello from virtual extinction(it is now one of the most important grapes in Puglia).  But it all started with Primativo de Manduria.  The Acaddemia commited serious effort to studying the many facets of the area’s different soils.  Discussions still happen regarding the relationship of Primitivo to California’s Zinfandel.  Here in the black soils of Manduria in southern Puglia, Primitivo has risen to the status of a serious varietal as opposed to just an ingredient to fortify generic blends.

In 1998, Gregory decided to take the step of creating a new winery that featured these indigenous varietals made as premium wines. He was convinced of the potential for fine red wines here by virtue of excellent soils, a near-perfect climate, and the extra control that modern technology could now provide.  He hired consultant winemaking wizard Roberto Cipresso and off they went to revitalize and reactivate abandoned Primitivo vineyards containing ‘bush’ vines ranging from 40 to over 90 years old.

But the ambitious Gregory had other plans as well.  He has been a member of ZAP (Zinfandel Advocates and Producers) since 1997 nd the Felline estate offers not only their ‘Old World’ version of Primitivo but this ‘New World’ version created from what was playfully called the ‘Samsonite clones’ said to be from cuttings that Gregory obtained from Ridge icon Paul Draper and carried back in a suitcase.

The Felline Primitivo di Manduria Terra Nera Sinfarosa Zinfandel 2016 is a wine Geek’s ‘home run’.  This wine says Zinfandel right on the label and shows the earth, minerality, and countryside tones verifying it’s Italian origins, but an unmistakable core of spicy, brambly dark berry fruit that is the soul of quality Zinfandel from the North Coast.  The two factions harmonize beautifully and make for an intriguing interplay of profiles, on the one hand suggesting classic Italian nuance, on the other ripe, shameless, very varietal expression.  Since it is warm down here, this wine has the amplitude that one expects from something labeled Zinfandel.   

At 15% it approaches Amarone weight, but still has the freshness to bring it all together and finish with some lift.  A six month sojourn in a combination of French and American oak rounds the edges and adds a hint of vanilla.  Those ‘American’ vines have ‘learned the language’, yet still retain visible signs of their identity.  This wine provides both an intellectual side to ponder and a spicy, hedonistic side to simply enjoy with hearty fare.  The choice is yours.

Vinous Media’s Ian d’Agata seemed as excited with this distinctive bottling as we were writing, “Medium red-ruby. Beautifully nuanced scents and flavors of red cherry, raspberry, smoky minerality and flowers. Rich, suave and wonderfully broad on the palate, with a tactile, plush mouthfeel and a powerful but refined presence. A noteworthy edge of saline minerality carries through on the very long, refined finish. A knockout Primitivo. ..93 points.”

While a little more subdued numerically, Wine Spectator still had nice things to say, “An elegant, medium- to full-bodied red, with creamy tannins and a palate that ripples with black cherry coulis flavors and accents of ground anise, graphite, smoke and herb, lingering on the fresh finish. Drink now through 2024…90 points.” 

It also played well with the home folks earning the prestigious Tre Bicchiere (Three Glasses, the highest award) from Gambero Rosso.  At that point, all we could do is ‘add by subtraction’ by shaving roughly $10 off the retail price.  At $16.98, this is a must for a variety of reasons.  Only 25 cases, though. 

‘THROWBACK’ ZIN VALUE

Nick Goldschmidt has traveled the wine world. This New-Zealand born winemaker has worked in New Zealand, Australia, and South America, eventually landing in California where he settled in Healdsberg back in 1990. He became the assistant, and then chief winemaker at Simi back in the early 1990s back when Simi was still a sought after label. He is still involved in a number of bigger projects with large wineries but also has his own stable of releases, many of which are dedicated to his family, wife Yolyn and five children who are all occasionally getting some ‘hands on’ training in the vineyards .  He still makes wine in New Zealand as well under his Forefathers label.  Guess you need something to do when it is winter here. 

Yeah, Nick’s a busy guy and a proven performer. Has he made that consummate 100 case, ‘98 point’ red that seems to be what gets a winemaker’s name up in lights?  No, but our rebuttal to that is that it takes more skill to make lots of good wine on a consistent basis than to make a couple of barrels of something special.  An important thing about Nick’s own wines is that he never seems to forget that most people don’t necessarily want to plunk down $60, $100, or more, every time they want a bottle of wine.  This isn’t some guy who landed in a G6 and proclaimed he was going to be the next Harlan. This is a guy who came up through the ranks based on talent and makes wines that have typically been well-priced, outgoing, and easy-to-like stylistically. 

We have sold a number of Goldschmidt wines over the years, mostly Cabernets Nick has sourced from unique vineyard spots and sold at very reasonable fares.  It’s great when someone like that gets a shot at exceptional fruit and doesn’t let his ego get in the way when he is figuring out how to price it.  Today’s offer however is with a varietal that we don’t necessarily associate with Goldschmidt, Zinfandel, from fruit that is sourced from vines planted in 1983 in his own Railway Vineyards in the Alexander Valley.  Beyond that, it is the usual Goldschmidt story.  You’ve got your plump, pure, honest fruit crafted in a round, likeable style, and you’ve got a really attractive price. 

This is a little bit of a different spin than we are used with all of the other Goldschmidt wines we have sold in the past.  Far too often Nick’s wines end up being ‘scored’ in the no-man’s-land of the upper 80s, which is fine for us since we like to sell the wines based on their value and appeal.  However, this Zinfandel actually got noticed by the media.  It is one of only three times a Goldschmidt wine has gotten a 92 from Wine Spectator.  The other two, specialty Cabernets, sold for over $60.  The Goldschmidt Zinfandel Fidelity Nick Goldschmidt Railyard Alexander Valley 2018 sells for less than $20!  It also got a Spectator ‘smart buy’ because, duh, it is!

The description of this tasty Zin itself in the Wine Spectator is succinct but accurate, “ Supple and sleek, with polished, multilayered fruit, showing raspberry and toasty spice flavors that glide on the lasting finish…92 points.”  The description is pretty much the character of every Goldschmidt wine we have ever presented.  Ripe, round, engaging, varietal, user-friendly and hedonistic, pretty much a pleasure to consume, is the Goldschmidt style.  His wines may not always get the attention of the critics, but they more than deliver in the glass where it counts. 

We decided to do a little query by asking how many Zins got 92 points or better from Wine Spectator so far this year.  The answer was 37, with many past $40 and a couple over $60.  When we put in a price ceiling of $30, only three remained.  Under $20, there was but one…this one.  Talk about exclusive company!  This kind of recognition could be a dangerous precedent.  We’re glad to see Nick get some love.  But if he is no longer under the radar, there’s a risk that future prices will escalate, or availability will be sorely compromised.  Zin lovers, or fans of affable reds in general, should buy up this juicy value while they can.

BRIEFS 7-24-19

*La Rioja Alta is one of the elite producers in Rioja founded in 1890. Their La Rioja Alta Rioja Reserva Vina Alberdi is consistently one of the go-to values in Spain and the 2013 once again outperforms, particularly given that this was not a noteworthy harvest. This is Tempranillo from vines averaging 40 years of age in chalky-clay soils located at an altitude of 500-600 meters (1600-2000 ft) above sea level. A remarkably precise and tasty effort from a vintage that typically yielded more savory styled wine.  Red currant and strawberry with classic Rioja notes of balsamic, wild herbs, coffee and caramel. Typically this bottling pulls in 90+ scores and delivers plenty of character for its modest tab. This one hasn’t been reviewed as yet but we can assure you it is a wise choice as always and we expect it will get its due from the media in time.

*Winemakers Anthony Riboli and French born Arnaud Debons work closely with multiple vineyard owners from various districts within Paso Robles on long term contracts to produce the Opaque Zinfandel Paso Robles 2015 Each lot is fermented separately then blended and put in barrel for 14 mo. A classic, lush ‘old school’ Zin with outgoing boysenberry and blackberry fruit laced with peppery spice, but with sufficient lift and freshness to play in the current, more sophisticated marketplace.

*They say imitation is the greatest form of flattery. But what if your imitation is better than the original. This is our second go-round with one of the great under-the-radar Pinot Noir buys around. There is an extended story about owner/winemaker Seth Cripe who left Florida at age 17 with the idea of getting into the wine business. He worked at a number of Napa Valley venues starting at Swanson, and including eight harvests at Caymus. The short story is that he is making value wines in the mold of popular commercial brands like Meomi, but that have the purity, integrity, and varietal character that such brands don’t. Like the 2016 before it, the Lola Pinot Noir California 2017 surprises with its burst of plush, honest, varietally true dark cherry and mulberry fruit with tinges of spice and floral notes. For under $20, it’s a crowd-pleaser while also showing varietal integrity and honest flavors.

*It’s always kind of a dilemma deciding how much to say about something. If you are talking about a great functional wine at a value price, and excess of superlatives and an expansive story could end up being counterproductive. On the other hand, if we are too concise with our words, people might interpret that as a lack of enthusiasm. Be that as it may, the Dashwood Sauvignon Blanc Marlborough 2018 deserves a word or two. This has been a staple for us during long stretches of our history. There has been some label tweaking and some inconsistencies along the way, but this is the the best version of this wine in many years. Many examples of the Kiwi 2018s are overtly acidic, but the one hits all the right notes with tropical and grapefruit fruit, bright but not overly aggressive acidity, none of the ‘green’ flavors that plague many value Kiwi bottlings,and substance on the palate. One of the worlds great Sauvignon Blanc values.

ONE LAST WORD ON THE RAVENSWOOD ZINFANDEL BARRICIA FOR $14.98 THING

We sent this out as an email and then mentioned it again in our Sunday ‘week that was’ piece.  But we think this deal is so extraordinary, we want to make sure that everyone gets a look at it as, at the time of this writing, our source still has some wine:

“The odyssey continues, but the story lines are as interesting now as they were back some three decades ago when we started with Ravenswood, though for entirely different reasons.  Back in the 90s, Ravenswoods single vineyard wines were iconic.  We used to have ‘Ravenswood Day’ where we would offer up our allocations of these well reviewed , exceptional Zinfandels for distribution.  At the time we, a single store, were one of Ravenswood’s larger customers in California.  We sold everything from those compelling single vineyard bottlings to their ‘lowly’ but exceptionally performing ‘Vintners’ value series.

Then, one day, it all changed.  OK, maybe not all of it.  The key issue was that one of the first significant winery acquisitions of the modern era in California took place.  Winemaker/mind behind Joel Peterson and his partner Reed Foster sold Ravenswood to Constellation in 2001 for $148,000,000.  That’s a lot of zeros.  Can’t blame them for taking the money, but the rub was Joel had to stay and help keep an eye on things.  Small price to pay for that kind of coin and Joel, always the businessman, saw the wisdom in the move.

Once one of the most recognized brands in California, Joel had to know that the only way for the new owners to recoup that kind of investment was to ramp up production.  Once Ravenswood ‘went corporate’ most of the winery’s long term loyal supporters figured production of the personality filled, well-priced Vintners wines, as well as their other regional varietal bottlings, would predictably add a zero to their production level and churn out tens of thousands of cases of soulless corporate juice.   Predictably, that happened.

The same folks also dismissed Joel’s treasured line of single-vineyard Zinfandels as going ‘corporate’ as well.  What now?   Would there be some  50,000 cases of ‘Big River’ or 200,000 cases of ‘Old Hill’.  No. With these small, ‘heritage’ sites covered with low yielding old vines, there was no way to boost production.  The current iteration of Ravenswood does indeed put out a million boxes of Vintners Blend wines now.  But the historic single vineyard program has remained essentially the same as it was ‘back in the day’.  We talked with both Joel and his long-time winemaker Peter Mathis, who made Ravenswood wines for 20 years, and both of them had no clue why Ravenswood’s Historic Single-vineyard program was no longer revered.

Our best guess is ‘guilt by association’.  Certainly, there was an emphasis by the corporate bean counters to deliver big numbers. There were ‘stockholders’ and all sorts of new criteria by which Ravenswood would be judged.  As to the single-vineyard jewels upon which Ravenswood built their reputation in the first place, there was little reason to spend corporate marketing dollars to promote them.  In fact, we’d guess that the accounting dept. gets downright annoyed to have to keep track of such tiny numbers.  Eventually the media pretty much stopped talking about them.

Anyway the results of this story led us to a remarkable cache of Ravenswood’s treasured single vineyard Zins at fantastic prices in May of last year.  Don’t ask us about the machinations that brought this about, we couldn’t tell you. But we sent that offer to an enthusiastic audience.  We were pretty sure we were ‘killin’ it’ at $24.99 on Old Hill, Big River, Dickerson and Barricia, about the price we sold these special Zins for decades earlier in the mid-90s.

But even more inexplicable is the offer we are rolling out today on that 2013 Ravenswood Barricia Zinfandel.  What happened?  Beats us.  Everything with this program is the same or better.  Even though Joel’s bank account is larger, he still has ‘the fire’ concerning these vineyards.  The vineyards themselves are still the same, too…. old and super low-yielding. This is still some of the most treasured dirt in California.  Are they made the same way? Pretty much.  Joel himself says so, except now they can buy better equipment with a corporate bankroll.

So how did an outstanding example of true California Zinfandel, from a revered vineyard, made under the auspices of one of the true Zinfandel masters, end up at this kind of price?  Again, we have no clue, but we don’t care.  We simply grabbed every box we could of this once-in-a-lifetime offer.  This Zin  is sourced half from Zinfandel planted prior to 1892 and the balance from new plantings of Zin and Petite Sirah, which makes up around 20% of the blend.  That Petite gives the wine heft and another level of complexity.

The nose shows brambly blackberry and black raspberry augmented by brambly notes.  Big in the mouth with notes of pepper and spice, this one shows expansive volume yet both the tannins and acidity are nicely integrated.  The wine hasn’t skipped a beat over the years.  The only thing missing is the ‘aura’ of times past.  At roughly 1/3 the typical price, we can deal with that.  If you love Zinfandel, here’s a legendary Zin for a remarkable fare… ”

 

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