The Stock Report Guide to the Holidays

A roadmap to the wine world’s most common seasonal scenarios

Yes, it is that time of year.  As you may have seen, we typically put out something of a guideline for wines for Thanksgiving, taking into account very general scenarios and offering suggestions as to what to serve.   This time around, we thought it might be helpful to toss out a few suggestions based on the questions we seem to get every holiday season.  Of course, it would be impossible to comment on every potential situation, probably even foolhardy.  But we do encounter things based on our experience that might not cross your mind during the busy season until it happens.  So, we’ll put it out there and hope it might give you some confidence in navigating your holiday milieu.

The Big Event

Everyone has their own take on the ‘big days’ and how they celebrate one day vs. another. Ours is not to comment on that, but rather look at a few ways that people celebrate. For the record, we know that there are many modern cultural takes on holiday food and holiday traditions. For the sake of this article we will be discussing more broad seasonal scenarios with traditional American holiday cuisine.  With that said, three ways we can think of celebrating a big day might include a full sit-down dinner, something with more substantial hors d’oeuvres, or a more pass-through visitation like an open-house type with lighter nibbles.  Each one calls for a little different lineup of beverages specific not only to the type of event but what kinds of foods you’re offering.

Sit Down Dinner
A lot depends on the main course with the wine selections.  We figure more popular choices might end up being ham, some sort of bird (turkey, goose, capon), or some sort of meat (beef, lamb) with an array of sides, though there are of course many other options.  With ham, play against the saltiness with white wine that has crisp acidity and is light on its feet. 

A little residual sugar adds to the match.  Our first go-tos with ham would be Riesling or Chenin Blanc, or lighter whites like Pinot Gris, Pinot Blanc, Sauvignon Blanc, or for the more adventurous, Italian whites from the northeast like Kerner or Friulano.  You want something crisp, clean, and not oaky.  For reds, think about Beaujolais, Pinot Noir, Rioja or Dolcetto, lighter, brighter reds that aren’t tannic or too woody.

Our choices for some sort of bird would be pretty much the same for the same reason.  Heavy reds and whites don’t really augment the food and can become tiresome over the course of the meal.  If you want to serve some powerhouse red with the bird, that is of course your business, but it’s not what we’d choose.

For Whites Check out: 

Celine et Benoit Blet Les Terres Blanches Anjou Blanc Les 3 Poiriers 2020

Franz Gojer Kerner Karneid Alto Adige 2020

For Reds Check out:

Domaine de la Madone Beaujolais Villages Bio 2020

Luigi Einaudi Dogliani 2021

Finally, if we’re looking at roast beef, standing rib roast, rack of lamb or some such, bring on the big reds.  Red Bordeaux, Cabernet, Chateauneuf du Pape, Syrah, Barolo, or authoritative Tuscan all play well, as do a variety of things from Spain.  If you’re having budget concerns, there are excellent lower priced options in every category (like instead of Chateauneuf, sub in a solid Cotes du Rhone).

Check out:

Coufran Haut Medoc 2009

Domaine de la Charbonniere Chateauneuf Du Pape Cuvee Vieilles Vignes 2019

Podernuovo A Palazzone Toscana Argirio 2016

Heavy Hors D’Ouerves or Tapas
A lot depends on your choice of dishes, of course.  But again, we’d caution to stay away from heavier wines.  Also, the standup or more social scenario kind of dials back the price need because folks are less likely to note extra complexity you would pay a lot extra for. Not to mention the party might stay a little livelier if you ditch the big ponderous wines.

Our whites list remains pretty much unchanged from the last section.  For reds, again Beaujolais, Pinot Noir, Chianti, Cotes du Rhone, a number of things from Spain, the goal is fruit-forward, outgoing, tasty, and not too tannic or heavy.

White:

Domaine Weinbach Pinot Gris Cuvée Ste. Catherine 2020

Red:

Zorzal Pinot Noir Terroir Unico 2019

Open House with Lighter Fare
The rules really don’t change a lot for reds and whites, but we see this as a great opportunity to sprinkle in some sparkling wines.  Most folks like bubbles and there’s good fizz at virtually all price ranges, from Cavas like Poema ($9.98) and Conquilla ($10.98) to Prosecco to Crémant de Bourgogne to Champagne. 

If you’ve got folks that don’t like dry, offer the Bottex Bugey-Cerdon, a sweeter, sparkling red from the Savoie that is a revelation for some (we’ve heard it inelegantly referred to as “adult Kool-aid” and we’re not necessarily disagreeing).

Others to check out:

Clos Cazals Brut Blanc De Blancs Grand Cru Cuvee Vive NV

Francis Orban Extra Brut Rosé NV

Santome Prosecco Extra Dry

The Holiday Essentials

For some people the holidays are a time a time of festivities, but also impromptu drop-bys.  We suspect most folks will have stocks of favorite go-to reds and whites on hand, which we’d recommend keeping in line with our general food suggestions… outgoing, fresher styles that are fairly versatile.   Lighter, brighter reds and crisper, unencumbered whites are always appropriate.  But a couple of other categories can serve specific scenarios. 

  • Sparkling wines are widely popular and, in some folk’s minds create instant festivities.  No matter where you might be comfortable price wise, there will be some bubbles to fill that need.  We are as picky about our sparklers as we are everything else.  No one at ‘corporate’ tells us what to sell because there is no ‘corporate’.  We own it and are meticulous about our process at every level.  As we mentioned in our open house piece, there are hand-picked (OK, mouth picked) choices at every level from about $11 on up.  We have French Champagnes in the $20s.  So there is something for everyone.  But if it is on hand, all the better for the kind of spontaneity that can create memorable evenings.
  • If you have a lot of traffic at your place during the holidays, you might end up with a few open bottles that don’t have a definite schedule and, of course, oxygenation is a reasonable concern.   You could serve via something like a Coravin wine preservation device, but the device itself and the argon gas cartridges are somewhat costly.  While it might be off of some people’s ‘beaten path,’ things like Sherry and Madeira are wines where you can pour someone a polite glass put it back in the cabinet and open it again in a week or two without fear.  The wine will be unchanged. For perspective we did Sherry/Madeira tasting years ago that, thanks to weather, wasn’t well attended.  We did the same tasting a year later…with the same bottles.
Madeiras, the wine of our forefathers like Washington and Jefferson, are pretty much bullet-proof and the drier versions like Sercial and Verdelho are fine aperitifs while the more dessert styles Buals and Malmseys are great choice to break the chill after an evening of caroling or looking at Xmas lights.  They are fortified but the alcohol isn’t any more than a typical mixed cocktail. 
As for Sherries, Finos and Manzanilla are lighter and drier, but will be more affected by oxygen over time.  Amontillados, Palo Cortados, and Olorosos will hold it together for quite a while since they are produced via oxidation.  And no, it isn’t weird. They are much trendier today than they were a decade ago and many restaurants now have Sherry programs and you’ll frequently see the, as ingredients in the trendiest cocktails as well.  All benefit from a slight chill when serving but it isn’t mandatory.

Check out our in stock Sherries, Ports and Madeira HERE

Holiday Work Parties

As to general guidelines, we’ll stick pretty much to our answers on prior subjects.  Easy drinking, medium weight reds and crisp whites again work best, fruit forward, fairly supple, maybe a little lower in acid.  We’re going to recommend imports from Spain (the land of tapas bars), France (where bistros were born), and Italy (trattoria country), because we have found their wines purer and less manipulated, and these are places with established food and wine cultures.  You can simply get more compelling wines in lower price ranges.  For our money you can get much more from many parts of Spain, the southern Rhone and Languedoc, Beaujolais, and northern Italy as more specific categories.

BTW we’re not anti-American by any means, but we find that usually domestic wines produced to sell at lower price points are manipulated to achieve some sort of ‘control group’ personality and lesser fruit is taken in to keep costs down.  Of course, there are exceptions, but you are less likely to find them at some chain store that is more concerned with ‘national best sellers’.

Check out:

Mas de Daumas Gassac IGP Pays d’Hérault Pont de Gassac 2021

Petra Unger Grüner Veltliner Gottschelle 2020

Host Gift

Let’s say you are invited somewhere, and you don’t want to show up empty handed, and decide you’d like to bring something vinous.  Of course, it’s OK to present your hosts with something you favor, or something you already know they like.  But what if you have no idea what they like?  Plus, if you show up with something red, are you expecting that they will open it while you are there?  Our suggestion is to show up with some properly wrapped (a festive bag will do), un-chilled sparkling wine.  That alleviates the question of whether they are expected to open it, and we have run across very few people who are averse to Champagne.  Also, during the season, there are likely many scenarios where a bottle of fizz will come in handy for the recipient. Win-Win.

Check out:

André Robert Extra Brut Blanc de Blancs Les Jardins du Mesnil NV

Boss’ Gift

Every holiday season we get a number of people who are seeking to buy something for a co-worker, manager or employer.  The whole process can be somewhat traumatic for people who don’t really know anything about wine, and it is unfortunate that those folks will likely not see our simple suggestions which might ease their process.  Any good merchant is going to ask what you want to spend for the gift so have a real idea ahead of time what you are comfortable with budget-wise.  Whatever that number is we’ll get as close as we can or explain why we can’t.  We’re here to help you and the numbers are merely guidelines.

That said, there are a few scenarios.  If you are pretty sure if the recipient is knowledgeable and you know specifics or even the genre, that helps.  If you don’t, for an alleged knowledgeable recipient, the safe bets would be a classified Bordeaux or Napa/Sonoma Cabernet.  The ‘prestige’ of the categories can drive prices up well into the three digits, particularly if you want something widely known like Harlan, Opus One, or even BV Georges Latour.  There are high quality choices in lower price rungs that that will show beautifully in the glass but may not have the immediate label panache because they aren’t as widely distributed or been around as long.  Knowledge and track record create fame but fame costs money, sometimes to the point of silliness (a bottle of Coche-Dury Corton Charlemagne costs over $6,000).  Quality doesn’t have to.

If you want to present them a nice bottle but don’t really know anything about their tastes, we’re going to once again suggest Champagne. Sensing a trend there? There’s good reason though. It’s a pretty universal equalizer and there are many scenarios during the holidays when a nice bottle of Champs can come in handy, and the bubbly producers know that.  That’s why there is a fight for placements in the industry.  That’s a whole different story, but the point is that bubbly is a great solution for a wide range of situations. 

Check out:

Laurent Perrier Brut Grand Siecle #25 NV

Overture by Opus One Napa Valley

Mayacamas Cabernet Sauvignon Mount Veeder 2018

La Gomerie Saint Emilion 2001

Bubbles…for the Holidays & Beyond

As we have said repeatedly, we consider Champagne an excellent choice all the time, not just for festivities.  But there is no denying that a little fizz can make a celebration better.  Here again we’ll make the point that better known labels are better known because of history and, mainly, marketing.  Marketing costs money.  So you’ll pay more for label recognition and likely not get as good a Champagne on a value basis.  That doesn’t mean that the big brands are ‘bad’. Our point is that, particularly with big Champagne houses, prices are being deliberately pushed upward for marketing reasons.  They all want to be the wine versions of Louis Vuitton or Prada from an image standpoint.  To us that means look elsewhere.

We’ve been on the bandwagon of small production grower Champagnes for decades because you typically get better and more intriguing juice (thanks to the terroir factor) for a better price (because the shipping channels are less encumbered with extraneous markups).  It is impossible to replace the elements of terroir and small production as they manifest in the finished wine.  To that end, here are a few recommendations in various categories.

At the top end of the spectrum, there are always those highly visible labels like Dom Perignon that are reenforced by a long history and appearances in movies and TV shows.  The label will impress your friends but prices are much more than they used to be and they make a million bottles of the stuff.  For less money we have top-flight boutique offerings from cool kid sources like the structured, precise, distinctive Egly-Ouriet Brut Tradition Grand Cru NV ($109.98) and Doyard Extra Brut Blanc de Blancs Grand Cru 2009 ($129.98 both done in an extra brut style from Grand Cru vineyards.

For about what you’d pay for something like Clicquot in a big box score (or less) we have distinctive, soulful choices from smaller houses.   We’ve talked about the Clos Cazals Brut Blanc De Blancs Grand Cru Cuvee Vive NV ($59.98) from remarkably elite estate vineyards in the Cote Blanc, and the André Robert Extra Brut Blanc de Blancs Les Jardins du Mesnil NV ($59.98) also from Mesnil, the other great village in the Cote Blanc.

For less than you’d pay for those more commercial labels the mouth-filling, Pinot Meunier based Francis Orban Extra Brut NV ($39.98) is back and we’re keen on a couple more recent discoveries, the Caillez Lemaire Extra Brut Reflets NV ($54.98) and the fine-lined, 70% Chardonnay Gonet-Médeville Brut 1er Cru Tradition NV ($44.98).

Drop down a few more dollars and there’s still plenty of good stuff Champagne-wise.  The Champagne Charles Le Bel Brut Inspiration 1818 NV ($32.98) is pretty new to us but is the second wine of Champagne heavyweight Billecart Salmon and reflect the creamy house style as well as being a stellar value.  Back in the saddle again is the Emile Paris, who reintroduced the brand after a 75 year layoff using their estate grapes that were being sold to Philipponat.  Another striking value in real French Champagne.

If you’re looking for great sparkling wines and don’t care if they actually say Champagne on them, here are a couple of unique selections for the more adventurous.  The Chateau de Brézé Crémant de Loire NV ($24.98) is a 70% Chenin Blanc/30% Chardonnay blend from a special estate in the Loire Valley that can hang with any Champagne but has a unique, fruit driven element thanks to that Chenin.  Occasionally we’ll find something very cool from unexpected places. The Jean Vullien Crémant de Savoie Brut NV ($17.98) is a unique blend of 50% Jacquere, 30% Chardonnay, and 20% Altesse, this has a fine minerally texture and a very food friendly personality along with fine bubbles and creamy mousse of a classic sparkler.

TRADITIONAL HOLIDAY MESSAGE: WINES FOR THE BIRD, AND OTHER FAVORITES

We interrupt our originally scheduled rant to bring an important message…holy smokes it’s November!  Yeah, it kind of snuck up on us again as we were scurrying around trying to find delicious deals and innovative new sources of fermented grape juice.

We realize there are folks that have it all planned from their own cellar stock.  But there are others who treat this family holiday differently than they would a dinner or event with their ‘wine and food’ friends. Ours is neither to judge, nor comment on prices because that is up to everyone’s discretion and based on their individual needs.

We’re merely here to comment on some categories that we think work well with the Thanksgiving bird.  Isn’t it the same stuff every year?  To a point, yes.  The ‘basics’ still apply.  No matter how it is cooked, turkey is still fowl and tolerates a wide range of wine choices.  It is less about the bird and more about the stuffing and other accoutrement in determining which choices might prove most complimentary.

Every year is different wine-wise as well.  There are some categories hitting a high note this year, and others that are at a nadir.  For the most part this year offers more potential choices in what we feel are the ‘right’ categories.  Our basic rule of thumb is that, given the varied goodies that will be on the holiday table, whites should have good acidity and little or no oak, and it’s a fine spot for something with a little residual sugar.  As for reds, bright fruit, light to medium body, and not a lot of tannin or obvious wood work best.  Again a bit of underlying acidity is a good thing, and large framed, oaky, high alcohol wines can get tiresome over the course of the meal.

For those ‘big reds’(Cabernet, Bordeaux, Syrah), save them for hearty beef or lamb roasts.  Acidity is good, wood and tannins not so much with fowl.  These are our favorite red plays with the bird.

Pinot Noir-The fruit driven, bright fruit of a Pinot marries beautifully with roast, smoked, or fried bird.  These are wonderful times for Pinot fans as California has been rolling out the hits and there are plenty of 2012 and 2013 examples on the shelves, with a few 2014s now in the mix, a vintage that has a real elegant tender edge that makes them pretty serviceable.  Oregon has plenty of good stuff, too, particularly the outstanding 2014s and remaining 2012s.  Burgundy?  Of course, if the budget allows.

BeaujolaisThis is also the ‘near perfect’ choice always and one we have been recommending for ages.  But this year is particularly exciting given the arrival of the bold, expressive 2015s and the remaining tender, elegant 2014s.  Serving them with a slight chill offers another dimension to the folks at the table.  Not everybody ‘gets’ room temperature.  Forget the still travel-shocked 2016 ‘nouveau’ when even the ‘little’ 2015 Beaujolais are lovely, juicy glassfuls.

Rioja-Somehow you knew we’d get there but the elegance, versatility, and the bottle age of reservas and gran reservas make them crowd pleasing choices.  Spanish wine for an American holiday?  Heck yeah.

Chianti- Sangiovese works nicely particularly on tables where the food choices have a more savory bent.  The 2015s are quite juicy.

If Thanksgiving is a ‘white night’ for you, there are lots of unique options this time around that didn’t exist last year.  The key is fresh, bright flavors, lifted acidity, and little or no oak.  Again the choice has a lot to do with the sides because turkey itself is pretty versatile.   Spanish Albarinos, Portuguese versions of the same, white Rhones, and a host of things from northeastern Italy (Kerner, Pinot Grigio, Pinot Bianco, Friulano, etc.) are as good as they have been since the benchmark 2010s, maybe better.  The 2016s have even a bit more drive.  Consider this a blanket recommendation.

Riesling- Crowd pleasers and the kind of wines that far too many people deny even liking (until they taste it).  We are not fans of the new ‘trocken’ movement in Germany and find the majority of the examples either under nourished or over priced.  That being said, classic German Riesling at the kabinett (fruity) and halb-trocken or fienherb (medium dry) level are always lovely choices, particularly from the 2015 vintage.  If you want dry Riesling, the Australians and Austrians do fine work with the 2015s from Austria particularly noteworthy.

Pinot Blanc- We are referring to the examples from Alsace rather than the bigger, often oaky California versions, though there are some Oregon efforts that will work also.  Pinot Blanc definitely plays well in a ‘supporting role’ and rarely calls attention to itself…until the bottle is empty.

White Bordeaux- People are surely waiting for us to say Sauvignon Blanc or Sancerre.  Hey the 2015 Sancerres are knockout, but the pungent edge, while gorgeous with a plate full of oysters or mussels, can run afoul of some of the varied things on a lot of Thanksgiving tables.  The Bordeaux versions, tempered with Semillon and Muscadelle, play more to the melons and minerals profile with less of the lime/grapefruit edge.

Wild Cards- We aren’t deliberately trying to frighten people here.  But sometimes they need a nudge to try something new.  The 2015 vintage in Austria is the ‘year of the Gruner Veltliner’, with so many examples carrying the classic terroir-driven stony flavors, but also with more stuffing in the middle and stone fruit flavors adding another gear and dimension that we can’t remember in any recent crop.  Our wildest card?  Muscat from Alsace, with a super spicy nose that says sweet, but a bone dry cut to clean the palate.

We could go on, and certainly haven’t covered all the possibilities.  But this is where our heads will be spinning as we are out looking at the shelves for our own holiday plans.  It is a particularly bountiful year in some of our favorite categories for Thanksgiving service.  Of course, if you can’t decide, there is always Champagne!  Happy Thanksgiving.

 

 

 

 

 

CHAMPAGNE, PART ONE: THE ROAD TO ZERO

As we have mentioned in a couple of other pieces, the holidays are considered Champagne season.  We love Champagne any time, but it difficult to get a lot of people’s attention for most of the year.  Usually at this time of year, because of the Q4 tradition, we have been through a number of serious tastings focused on Champagne.  Having completed that gauntlet, it seemed time to offer a few thoughts on what’s out there and the happenings in the wonderful world of Champagne.  For the most part all is well.  The big brands are the same as ever, there are more grower Champagnes appearing in this market all the time, and the selection is historically unparalleled.

In simple English, if you want a great bottle of Champagne, you can find one at virtually any price you are willing to pay over $30.  Occasionally less.  Of course, the issue is what you are looking for.  If you are looking for classic, likeable fizz that anyone would enjoy, most of the bigger brands will deliver that.  They are formulated with a higher dosage (i.e. a little more sugar) to appeal to a broader range of palates.  Consistency works for the big houses and delivering a fruit driven wine has never proven to be bad business in the glass.  There’s a saying in the industry that “People talk ‘dry’, but they drink ‘sweet’. That is true the majority of the time…provided that no one actually says the word ‘sweet’.

We have been leaning towards individual grower Champagnes for a long time.  Our feeling is that the more specific terroirs of these smaller estates adds another dimension to the wine’s profile, and the lower (but not necessarily low) dosage tends to augment the visibility of the terroir elements.  These grower cuvees are made a little dryer stylistically to approach a more sophisticated audience.  Plus, because they are not necessarily aiming for the ‘broad market’, the individual growers can take a more personal approach to their wines which also, over the vast majority, leans a bit more to the dry side.

Any time we talk about ‘sweet’ and ‘dry’, there are invariably some misunderstandings about meaning.  Before we go on, we should make the point that there are definitely guidelines for the descriptors.  In the real world, sweetness is a perception.  What people say, how they describe things, are subjective, but not necessarily accurate.  One man’s sweet could be too dry for someone else.  So our references here are based on scientific fact.  A Champagne can be called ‘brut’ up to about 1.2% per cent residual sugar. A Champagne that is 0.9% residual sugar is drier, period.  As you can probably surmise, there is a significant difference in the profiles of something that has zero residual sugar and sitting at 1.2%.

One’s individual appreciation of a particular style or dosage is strictly personal.  In other words, it is not up to us to tell you what to like, merely give you data to help you determine what you might like.   Because of Champagne’s higher acidity, a higher level of sweetness will, in plain talk, not taste as sweet as it would in a lower-acid still wine.  Unlike a lot of people who think anything with any sweetness at all is for grandma, some wines need a bit of sweetness to offset certain levels of acidity.  It is particularly true with varietals that have higher natural acidities like Chenin Blanc and Riesling.  We see Champagne as falling into the same kind of requirement.  Don’t get us wrong, we don’t mind a little sweetness, or a complete dryness.  But no matter the profile, the individual wine has to be balanced. Most important, it has to be enjoyable.

That being said, we are seeing a strong trend towards more dryness, maybe a little too much.  A lot of folks we have followed for years seem to be lowering their dosages across the board, or at the very least introducing ‘brut zero’ or ‘no dosages’ options in their line.  Let us first point out that the industry does not ask the people what they want.  They merely decide what is best for all of us and proceed to make it (see also Syrah and Italian varietals in California).  One of our more frequent descriptors regarding a rather substantial number of Champagnes we have tasted this year is ‘angry’.

A somewhat drier entry is an indicator stylistically, but far too many examples cut away mid-palate exposing something soily, stoic and a sometimes little bitter.  The grower says he is ‘expressing the terroir’by keeping the sugars very low.  To that we say ‘yeah, but it isn’t very pleasing to drink.’

We are sure there are self-appointed gurus and twenty-something sommeliers who think the super dry cuvees are the ultimate food wines.  It seems that the brut-zero/orange wine/underripe-red set currently has a disproportionately larger voice among suppliers.  Maybe the next generation of producers like ‘angry’ wine better.   Who are we to question the pontifications of some self-appointed ‘trend setter’ who has moved on from skeletal trocken Riesling to embrace literally ‘bone dry’ Champagnes.

To be honest, we have had a few examples (Ruppert-Leroy, for one) of low dosage bubbly that we liked a lot.  But to pull it off is really, really difficult.  The fruit has to be near perfect, have enough flesh on it to give the impression of richness, and an extra lift at the finish.  Very few that we have tasted, a really small percentage in fact, can deliver that style in an engaging way.  We get it that there are a lot of folks that decry the mawkish nature of some of the most popular French bubblies (like Moet White Star).  But there’s a new wave in Champagne that seems to be taking it too far the other way.

Not to sound like Mary Poppins, but a little bit of sugar does help the ‘medicine’ go down.  It makes it taste good, and ultimately that is the point.

Another trend that seems to be developing throughout the industry (though most folks may not see it for years, if ever) are ‘dirt’ cuvees (they don’t call them that, but the name fits).  We encountered more than a couple instances where some growers were not only bottling from their property, but subdividing parcels and making even more finite cuvees based on soil types, exposures, etc..  While they gave those cuvees individual names, the explanation was, ‘…this one comes from mainly chalky soil, and this other one comes from volcanic soils’.  In other words their base was rooted in some more finite aspect of site specifics.

There were also individual plot bottlings defined by vine-age, and still others that featured a specific varietal.  We love artisan Champagne, but many of the artisans are becoming a bit too artisan, and we have a hard time believing that a producer can (or should) make six, seven, eight different cuvees.  Sure, winemakers, being winemakers, love to tinker with new ideas.  But they sometimes get too involved in their own world.  We’re afraid things will go the way of California and Oregon Pinot Noir where too many individual bottlings from the same house confuse the consumer (and us), and don’t provide nearly as significant a varied profile to people out in the world as they might appear to a winemaker who tastes them repeatedly in a closed environment.

We understand trying to challenge the palate.  But even most Champagne dorks (and we count ourselves among them) would not  find a lot to get viscerally excited about with the slightly different nuances of these varied cuvees (which are noticeable in a side-by-side comparison but certainly less so otherwise), all done in a more austere style, at $60, $80, $100 per bottle.

Growers already have a challenge in that they only have their own dirt to work with, and can’t address problems that crop up in their own winemaking by blending juice from other areas.  We taste growers every year because they can vary quite a bit from year to year based on the base wines and reserves they have available.  There are some houses that we have loved almost every year (Vilmart, Billiot, Agrapart, Pierre Peters).  But most are off-and-on and can ‘sing’ one year and disappoint the next.

The overall quality level has been augmented by some exceptional vintages in the base wines (like 2012).  But the stylistic shift towards drier styles negates some of that because of the demands it puts on the individual cuvee.  If you expect the consumer to appreciate the terroir, the terroir has to perform. The lower the dosage, the more the base wine is exposed.

If we aren’t sounding like cheerleaders, it is due to our concern about the trend we see taking shape. It wouldn’t be our choice.  Somewhere in between those tart, no-dosage Champagnes and the sweetish broad market cuvees would seem to be the happy medium.  ‘Drier’ isn’t ‘better’ by definition as far as Champagne goes.  Still, as far as thrilling options, there are plenty of those.  We’ll get more specific about that next time.