June 2023

ANTHONY THEVENET MORGON LES CLOS 2021

The name is familiar. There are lots of folks named Thevenet in southern Burgundy. But they are typically white wine producers. Associating the name Thevenet with Beaujolais is, however, something fairly new for most folks. The domaine itself has only been around since 2013, and Anthony Thevenet has had to learn on the fly given the wide variations in vintages since the domaine’s inception.

Anthony is a member of Beaujolais new wave of young, passionate vignerons that hold as ideal the purity and legacy in Cru Beaujolais. In 2010, Thévenet inherited his grandfather’s vineyard in Villié-Morgon, with vines ranging from 40-150 years old. That same year he began working alongside Beaujolais icons Jean Foillard and George Descombes in the field and in the cellar. He honed his skills with these established producers and, based on this wine, he learned well. The vintage 2021 was no slam dunk but this is a gem by any standard.

All the wines are vinified with a carbonic maceration without any sulfur added until just before bottling, and they ferment at temperatures no lower than 16°C. There are no added yeasts, and the fermentations are done in a gentle, infusion style, and can last between eight to thirty days, with the latter rarer and only employed for the top wines. There is no fining or filtration, and the total sulfite levels are under 15mg/L (15ppm…extremely low). The purity and clarity of each wine’s terroir expression is due to Thevenet’s ultra-low sulfite content and his undivided attention to detail.

This is the first bottling of this cuvee, Anthony Thevenet Morgon Le Clos 2021, is from 20-year-old vines situated in granitic bedrock and sand. Even though it is done with carbonic, it has none of the cursory, simple fruitiness of a lot of commercial Beaujolais. It is, instead, more in the Burgundian, ‘old school’ style of mentor Foillard, but with a more focused style. There is weight and richness, complex aromatics, and a refined palate authority. Rather than blend it into other Morgon bottlings, Thevenet felt this cuvee made its own statement. There’s an abundance of red fruits (cherry, plum, mulberry) with subtle underpinnings of mineral as you expect from such a site, and an augmenting savory backbone. Precise and delicious, this is one of those wines that performs well above most people’s perception of its appellation.

Apparently Neal martin of Vinous, one of the few to deliver early words on the 2021s, was also in our camp,” The 2021 Morgon le Clos is the maiden release from vines just in front of the winery on soils of clay with a little sand. it undergoes a 10-day maceration. This is sprightly on the nose with rose petal infused transparent red fruit. Very elegant. The palate is medium-bodied with a life affirming mineral-driven entry. Vivid and refined with a precise tart finish that is simply one of the best you will come across in this vintage. Brilliant… 94 points.”

ANOTHER RISING STAR IN CHABLIS

We’ll start with what is essentially the importer’s notes. Sebastien Christophe is a budding superstar from Chablis but is the ultimate underdog. While known for its stolid rigidity, France’s wine culture still allows for a lot of mobility. That’s how a young kid gifted just a couple of acres of average vineyard land in Chablis could rise up seemingly out of nowhere to make brilliant wine from the three most heralded Premier Crus in the region. That happened because he was also gifted with a good bit of moxie and a cranking work ethic, which will you get far anywhere.

What makes Sebastien’s wines so great? Well, as is the case in Chablis, it’s not the winemaking, which is pretty standard for the region, as the goal here is never to showcase cellar prowess, but rather the nature of the vineyard itself. Sebastien vinifies and ages wine overwhelmingly in stainless steel, as is the general practice of the region. Less than 10% of the wines see cellar aging in neutral oak barrels, providing a little textural and structural contrast to the bristly energy of stainless steel.
He started with a small half hectare parcel of Petit Chablis from his family and made a run for it. After winemaking school he started to vinify this tiny parcel and has slowly acquired small parcels of village vineyards and a lot of Petit Chablis land. He also rents parcels that he farms entirely himself. Today, he has three premier crus on the right bank of the Serein river, Fourchaume, Mont de Milieu and Montée de Tonnerre. Except for the wines designated for Paris hotspots, almost all of his wines are exported.

Chablis itself is a place that is changing. Obviously the soils and exposures remain the same. But the warming climate and consequential erratic weather have had impact. There have been unpredictable frosts that have devastated some harvest. Plus the heat can have a negative effect on acidity. But there are some plusses. You don’t get searing acidity as much these days. The problem is actually maintaining adequate acidity to support the fruit and keep the mineral laced, brisk backbone that is an important part of the region’s identity. The best winemakers like Sebastien know what to do, and Mont de Milieu is a vineyard has many faces stylistically depending on the producer, but is a perfect ‘centrist’ for today’s Chablis.

The grapes are picked by hand, pressed, settled in tank overnight, then racked off the heavy sediments after one day before beginning its low temperature fermentation. The spontaneous wild yeast fermentation lasts between 1-2 months and takes place in stainless steel (80%) and the remainder in 228-liter oak barrels (new, 1-, 2- and 3-year-old, the total new wood is approximately 7%). Battonage (lees stirring) is sometimes made, but only in the steel tanks and the frequency depends on the vintage—warm years nothing and in colder ones no more than two times.

This Christophe Chablis Mont de Milieu 2021 shows the perfect combination of the more tender fruit of these warmer times but with perfectly proportioned minerality and acidity to stay true to its origins. Apple, apricot, and lime alongside chalky minerality and some salinity, it is clean and insistent but with just the right volume. It is for Chablis drinkers to enjoy and not designed to overpower. In other words, perfectly engaging. None of the media has caught up to this vintage as yet (many are several vintages behind with this producer) so there is nothing else to add to our own enthusiastic recommendation. Well priced for the performance and pedigree.

BRILLIANT WHITE BURGS FROM VIRTUOSO FABIEN DUPERRAY

As most of you who have been with us for a while know, we have been standard bearers for Beaujolais. We have brought you amazing values like some of the single-vineyard bottlings from Dubouef, promoted the classics like Thevanet, Lapierre, and Burgaud and chronicled the Cote d’Or invasion from the likes Girardin and Liger-Belair. For us, Beaujolais has always been important. In doing our research for the wines we were going to promote, we kept running across the name Jules Desjourneys. Not only were they some of the highest scoring Beaujolais we had ever seen, they were some of the most expensive by a fair bit.

When we finally had the opportunity to taste some of Desjourneys red Beaujolais, given their other worldly reputation, we were frankly disappointed. Yes the wines were unique and deeply colored, but they were also dense, impenetrable, and not really representative of the appellation. Yeah, we understand that being different will get you noticed, but we were certainly not as impressed as the pundits were. What did shock the heck out of us were how good the whites were, something that was not widely published.

That was the last time we saw anything from Desjourneys who, we were told by the importer at the time, wasn’t easy to deal with. Near as we can tell, he doesn’t have a national importer (only two stores have it on winesearcher). So when we saw some of these wines offered in Europe, remembering those stunning efforts from the 2015 vintage, we were all over them.

Now there is some buzz about the whites thanks to Wine Advocate’s Europe based reviewer William Kelly. His overview, “As I’ve written before, the irrepressible Fabien Duperray displays just as virtuosic talents in the vinification and élevage of his Mâconnais whites as he does with his Beaujolais reds, drawing on lessons learned in the company of the likes of Jean-François Coche, Arnaud Ente and Pierre Morey, producers he has represented in the French market for decades. In merely a handful of years, this project—a collaboration with Fuissé’s Domaine Thibert—has begun to consistently realize wines of genius that rank among the region’s élite…Whether this is the highest form of expression in wine, and whether a strong personal fingerprint is incompatible with or complementary to the articulation of nuances of site is a question for everyone to ponder; but Duperray appears to have arrived at his own answer.”

As a former sales arm of some of Burgundy’s elite estates, Duperray learned from the best. All of these are surprisingly expressive with driving underlying acidity. They knocked us out initially and this batch only served to prove our first impressions those years ago were not off base. We have modest quantities of these wines below, providing the reviews as well. But know that we could easily add a point or two just for the experience. Yes they are more expensive that typical Macons, but these are not ‘typical’ in any way.

Of the Jules Desjourneys Macon Fuissé Bois de la Croix 2018, Kelly wrote, “From a southeasterly exposed parcel characterized by schist soils, the 2018 Mâcon-Fuissé Bois de la Croix offers up notes of pear, orange oil and buttery pastry. Medium to full-bodied, fleshy and muscular, it’s impressively structured and built to age for the vintage, with racy acids and chalky extract, concluding with a long finish. This already punches above its weight, and it will be even better with a bit of bottle age…92+ points.”

About the Jules Desjourneys Macon Verzé 2018, Kelly waxed, “From holdings at the top of the slope, exposed to the west, the 2018 Mâcon-Verzé unwinds in the glass with notes of pear, confit lemon, white flowers, warm bread and clear honey. Medium to full-bodied, satiny and enveloping, it’s fleshy and elegant, with a seamlessly layered mid-palate, bright acids and a saline finish…92 Points.”

On the Jules Desjourneys Macon Prissé en Chailloux 2018, we found no reference to the lieu dit En Chailloux anywhere in reviews. There were multiple reviews on something merely called Macon Prissé that certainly describes this wine, “The 2018 Mâcon-Prissé offers up aromas of clear honey, fresh pear, blanched almonds and citrus zest. Medium to full-bodied, ample and fleshy, it’s bright and precise, its lively spine of acidity cloaked in crisp but fleshy fruit…91 points.”

These are thrilling and distinctive wines that every white Burgundy lover should explore and their driving style should provide a structure for aging should that be your choice. But these are special wines that we don’t have access to on a regular basis, and they expand the expectations of what can be done in Macon.

BEST VERSION OF AN UNDER THE RADAR HOUSE FAVORITE

Yes , we do talk a lot and sell a lot of wine. But there are things we talk about more sparingly simply because they are delicious comfort wines for and we would stock them anyway even thought they are very much under the radar and rarely get attention from the wine media since they don’t make a habit of submitting samples. Still the wines from Bodegas Ramón Ayala Lete e Hijos Viña Santurnia have had a consistent home here at many levels (particularly reserva and gran reserva levels) because they check all of the boxes and do so and extremely attractive prices. They are the kind of wines that wine merchants drink because they are pure, honest, traditional and very well priced.

Located right in the border between Rioja Alta and Alavesa, the Ayala’s family property is in prime real estate. Standing in their property you can see the Barrio de la Estación in Haro, the Tondonia vineyard by the river, and the walls of the Sierra Cantabria in your back. The Ayalas have been involved in the Rioja business for generations. They have two brands: “Viña Santurnia”, for the traditional Rioja aging levels, and “Deóbriga” for wines made with a more modern approach at spectacular prices.

The impetus for this particular piece is the arrival of the Bodegas Ramón Ayala Lete e Hijos Viña Santurnia Rioja Reserva 2016, a classic, traditional Rioja from one of the best vintages in Rioja in recent memory. The grapes come from family vineyards at the foot of the Sierra Cantabria Mountains or Sonsierra. The grapes are harvested manually between the first and third week of October so they are optimally ripe. They are destemmed and moved by gravity into steel tanks for fermentation. The blend, 90% Tempranillo, 5% Manzuelo, and 5% Graciano, are placed in oak barrels, 80% American and 20% French, for the traditional period of 24 months.

This Rioja has a healthy garnet color and the inviting and complex nose of mulberry, cherry, plum, spice, cocoa, a hint of vanilla and a whiff of smoked meat that only bottle age can bring about. In the mouth the wine has the tenderness of time in the bottle and the richness and balance that is the hallmark 2016 Riojas. On other words very engaging, supple, beautifully done ‘old school’ Rioja.

If you need scores and highlights, like we said, we couldn’t find anything recent from the press on Santurnia wines. The best recommendation we can give you is that these wines find their way into our glasses pretty regularly, and this 2016 Reserva is one of the best examples we have had from them. Salud.

A PLAYFUL VALUE NAPA CAB FROM A MULTI-100 PT. WINEMAKER

Our intent here is to talk about an excellent value with respect to Napa Cabernet. Bear in mind that, given the typical price of Napa Cab, you can make a pretty good case for the $60-70 range as a legitimate value given that most Cabernets of this quality start above $90 and go up from there. The Teeter Totter label has behind it winemaker/owner Benoit Touquette who worked alongside Andy Erickson on iconic labels like Arietta, Favia, Hartwell, Ovid, and Screaming Eagle, as well as Chateau La Louviere and Chateau Couhins-Lurton in his native Bordeaux, and is currently the winemaker for Napa super-boutique Realm. The guy knows what good wine is supposed to taste like (he has made, thus far, 28 wines that have received 100 point scores) and that is an important perspective with any project. His name gives Teeter Totter gravitas and credibility, even though the label is quite playful.

Teeter-Totter is Benoit’s affordable Cabernet (again, by Napa standards…most of what Benoit makes has three-digit prices) but clearly the grape sourcing and winemaking speak of a higher plane. The blend for the Teeter Totter Cabernet Sauvignon Napa Valley 2021 is a little quirky, in this case 85% Cabernet Sauvignon blended with 5% Zinfandel, 5% Charbono and 5% Petite Sirah. You get the power and elegance of classic Napa Cab but with a somewhat boisterous fruit note courtesy of the ‘other’ varietals in this blend.

Suave, chocolaty, with abundant creamy cassis and plum fruit with notes of tobacco and cedar, this has been a 92-and-up consistently itself (94 for the 2019) through the 2019 vintage from Jeb Dunnuck, The 2021 (like many Napa producers, they didn’t make a 2020 version) reflects another excellent vintage in Napa that is more elegant but still with abundant sleek fruit. Put this in your ‘white tablecloth’ scenario and no one would guess you paid a mere $64.98.